WASP - Textual Analysis (Wasp, Arnold, 2003)
CINEMATOGRAPHY
Holding camera to reflect emotions.
Tracking shots: WITH.Medium close up/close up.
Over the shoulder shots.
Quick movements in the filming to show whats happening in the scene.
Sounds of environment to show realism within scene.
Extreme close up to mans lips to show hidden message within his words.
Foreshadowing
Scenes of natural environment to show realistic scene.
Young girl copying mother with fake stroller - doing the same actions to foreshadow something.Close up to how much money she has to show her current situation.
Close up to girls face to show how shocked she is by the way the mother is acting.
Following the real baby then the fake baby.Close up to both people and switch multiple times to show the 'connection' between them.EDITINGFast pace.
Quick edits.
Shot reverse shot.
Less cuts when they fight so they fall into the rhythm of the fight.
Linear editing - follows story/makes it more realistic.
Quick edits to show disorientation.Lack of edits to show emotion.
Spectator receives better understanding of the characters when editing quickly to different close ups.
CROSS CUTTING MANY TIMES
HOW IS CINEMATOGRAPHY USED TO CREATE MEANING.
1. Make sure titles and director names are correct. This is Wasp (singular) by Andrea Arnold (no 's').
ReplyDelete2. My preference, when typing, is to italicise titles and not use speech marks or inverted commas.
3. The first sentence in your point doesn't really mean anything. It's fairly obvious.
4. You could also comment about empathy in the final section - i.e. that we are encouraged to empathise with these characters. The question then is WHY? Why did Arnold make the film? What does she want us to feel?
Mr Boon